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It is possible to run VST and AU plug-ins in Pro Tools 12 via patching plug-ins like Cockos’ ReWire or Blue Cat Audio’s Patchwork, though the process is a little cumbersome. RTAS and TDM are a little older, compatible with previous iterations of the DAW up to Version 10. It wasn’t until recently that Pro Tools became usable without an investment in Avid’s proprietary hardware, though it still is designed to function mainly with their proprietary plug-in formats AAX, RTAS, and TDM.ĪAX is the newest standard, becoming available with the introduction of Version 10. What started out as a simple experiment into the exciting new world of digital audio in the mid 1980s eventually became an industry staple in studios worldwide. The legacy that Pro Tools has established pretty much speaks for itself. Plug-in Formats and DAW CompatibilityĪll of the DAWs listed here come in both 64-bit and 32-bit versions, but certain plug-ins or versions thereof may only work with one or the other. It’s an older format that was expensive, exclusive (in a bad way), and has been phased out as computer technology has gotten better – though it was a unique idea in the early days of digital audio recording. The advantage of this is that it frees up system resources by doing the plug-in processing in the external hardware. It’s pretty much a marriage between digital signal processing in a hardware package like analog outboard gear. This quirky Pro Tools-only format is the only one that requires outboard hardware to run. Pro Tools 10 is the last version of Pro Tools to support RTAS. The format only supports 32-bit, and is being depreciated by Avid in favor of other plugin formats, like AAX.

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Pro Tools had such a stranglehold on the digital audio industry that many companies created RTAS versions of their software just so they could run in Pro Tools. RTAS (Real-Time Audio Suite)ĭigidesign created their proprietary plug-in format and it continued even after Avid acquired Digidesign until Pro Tools 10. Currently, only Pro Tools supports the AAX plugin format, and that’s unlikely to change any time in the near future. It comes in two versions: Native (runs on the system) and DSP (runs externally via peripheral hardware). AAX (Avid Audio Xtension)ĪAX was created by Avid when it released the first 64-bit version of Pro Tools. As you might expect, Pro Tools does not support the AU plugin format. At first Logic was the only DAW that ran AU, but others have joined the fold in recent years including Reaper, Studio One, and Ableton. Being part of the OS means it is low latency and lives with the audio interface at the system level for faster processing.

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In keeping with Apple’s tradition of proprietary innovation, the Audio Unit plug-in format is relative to the Core Audio driver standard in Apple’s operating system. Notably, Pro Tools doesn’t natively support the format, and nor does Apple’s Logic Pro. There are a few exceptions to the list of DAWs that support VSTs though.

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Previously only available to Windows users, it is now compatible with Mac and Linux within almost most DAWs and is currently in its third iteration (VST3). Originally created by the Steinberg company in the mid 90s, Virtual Studio Technology is the most common plug-in format. Types of Plug-ins Explained VST (Virtual Studio Technology)

64-bit digital audio workstations are able to run 64-bit and 32-bit plug-ins (32-bit by a process called “bridging”), but 32-bit DAWs can only run 32-bit plug-ins. This refers to how the processor, operating system, and DAW itself handles computing calculations – it has nothing to do with bit depth as it refers to headroom, such as 16-bit or 24-bit. What’s the difference between 64-bit and 32-bit? Things are different now, as companies realized that in order to stay competitive their software needed to be as format friendly as possible.

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In the past, there were fewer overall types and the applications tended to only work with a handful of them, mainly VST for Windows-based systems and AU for Mac setups. From the early days that required massive computing power to only be able to process a few tracks all the way to today’s modernized software that is only limited by the sophistication of the computer that is running it, companies continue to innovate.ĭAWs and the plug-in formats they support are widely varied. Digital audio workstations have come a long way since their inception in the 1980s and infancy in the 90s.